Lightroom editing, color grading & visual storytelling

News

Ilford's New Professional B&W Film Is a Game-Changer for Analog Purists (And Your Lightroom Workflow)

Ilford’s New Professional B&W Film Is a Game-Changer for Analog Purists (And Your Lightroom Workflow) I’ve been seeing a lot of buzz lately about Ilford Photo’s latest release, and honestly, it’s got me excited. The legendary film manufacturer just announced a new limited-edition black-and-white 35mm stock called the Delta 400 Professional Collector’s Edition, and the specs are genuinely impressive. What Makes This Film Special? What caught my attention isn’t just that it exists—it’s how it performs.

September 17, 2026

Video Tutorials

Lightroom vs. Lightroom Classic: A Working Photographer's Tour of the Cloud-Based App

I’ll be honest with you. For years I was a Lightroom Classic loyalist. Classic felt like home base, the place where my catalogs lived, where my presets (named after Wilco songs, naturally) were organized just the way I liked them. The cloud-based version of Lightroom felt like a younger sibling I hadn’t bothered to get to know. Then my editing workflow got messier as I started shooting more on the go, and I needed a way to access and edit images across devices without driving myself crazy.

September 16, 2026

Video Tutorials

Stop Clicking Auto: Why Adaptive Color Is the Smarter Starting Point in Lightroom

Every RAW file I open starts the same way: flat, a little lifeless, waiting. For years my first instinct was to hit the Auto button and let Lightroom’s AI take a swing at exposure before I started making real decisions. It works fine. But “fine” is not exactly the bar I’m trying to clear. Scott Kelby recently dropped a short tip over on KelbyOne that made me rethink that reflex entirely.

September 16, 2026

Video Tutorials

Chasing Soft Peach Tones: What Jessica Kobeissi's Portrait Workflow Taught Me About Restraint

There’s a specific failure mode I see constantly in portrait edits: too much happening at once. Aggressive tone curves, oversaturated skin, highlights that blow out the sky, shadows so crushed you lose all the hair detail. The photo technically has “a look,” but it reads as effortful rather than intentional. What draws me to Jessica Kobeissi’s editing style is the opposite instinct. Her work is controlled, deliberate, and built on subtractions as much as additions.

September 16, 2026

Editing Techniques

The Tone Curve Isn't a Filter — It's the Most Precise Tool in Lightroom

I spent the first two years of my editing life completely ignoring the tone curve. I’d open Lightroom, drag the Contrast slider to somewhere around +30 because it made things look “punchier,” and move on. It worked, kind of. The photos looked fine. But fine isn’t a great bar to clear when you’re trying to build a consistent visual identity, whether you’re editing a wedding gallery, a portrait session, or your band’s press shots.

September 16, 2026

Video Tutorials

13 Lightroom Tricks That Changed How I Edit Every Single Day

My editing sessions used to look like this: open the tone curve, check something in HSL, scroll down to color grading, scroll back up to basics, lose my place, get frustrated, close everything manually, repeat. It was the kind of low-grade chaos that doesn’t feel like a problem until you suddenly realize you’ve spent 20 minutes navigating panels instead of actually editing. I kept patching it with workarounds that never quite worked.

September 15, 2026