Lightroom editing, color grading & visual storytelling

Lightroom editing, color grading & visual storytelling — by Alex Rowe

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Bridge Isn't Dead: 5 Things It Does That Lightroom Still Can't

Bridge Isn't Dead: 5 Things It Does That Lightroom Still Can't

I used to dismiss Adobe Bridge the same way I dismiss genre labels for music - confidently, and without much actual evidence. It felt like the old, clunky thing you used before Lightroom existed. Then I started shooting more on weekends for fun, not for clients, and I found myself resenting the Lightroom import process every single time I wanted to glance at a handful of raw files. Nobody wants to sit through a catalog import just to grab one good frame from a Saturday afternoon shoot.

7 Lightroom & Photoshop Skills Worth Mastering When You Can't Shoot

7 Lightroom & Photoshop Skills Worth Mastering When You Can't Shoot

There’s a version of me that used to think editing was the boring part. Shooting was the job. Editing was the chore you did afterward so you could post something. Then I spent a rainy Nashville weekend going deep on color grading and came out the other side with a completely different understanding of what a photograph actually is. The edit isn’t the afterthought. It’s the second half of the creative decision.

Fix Mixed White Balance in One Shot — No Photoshop Required

Fix Mixed White Balance in One Shot — No Photoshop Required

There’s a specific kind of frustration that only photographers know: you’ve got a landscape shot where the sky looks exactly right, but the foreground is too cool, or you’ve nailed the warmth in the ground and the sky looks like it was shot through a yellow window. You move the temperature slider left and the foreground dies. You move it right and the sky turns the color of old mustard. For years I just accepted that this was a Photoshop problem, something to mask out in layers and blend manually.

How Aerial Photography Reveals Our Changing Planet—And What It Teaches Us About Color Grading

How Aerial Photography Reveals Our Changing Planet—And What It Teaches Us About Color Grading

The Power of Perspective: Why Looking Down Changes Everything There’s something genuinely transformative about seeing Earth from above. When astronaut William Anders captured that iconic image of our blue marble rising over the lunar horizon back in 1968, it didn’t just make for a great album cover—it fundamentally shifted how humanity thought about our place in the cosmos. That single photograph sparked an entire ecological awakening. I’ve been thinking a lot about that historical moment lately, especially as I’ve watched the photography world embrace aerial perspectives as a way to document environmental transformation.

Read Your Raw Files Like a Pro: Lightroom's Exposure Slider Trick Beginners Almost Always Skip

Read Your Raw Files Like a Pro: Lightroom's Exposure Slider Trick Beginners Almost Always Skip

There’s a moment early in most photographers’ Lightroom journeys where they open a raw file, squint at the histogram, decide it “looks okay,” and start dragging sliders around hoping something good happens. I did that for longer than I’d like to admit. The result was a lot of technically mediocre edits that I thought were finished until I looked at them a week later and cringed. What I was missing wasn’t a better preset or a more sophisticated technique.

How to Add a Warm Backlit Glow to Photos Using Photoshop Adjustment Layers

How to Add a Warm Backlit Glow to Photos Using Photoshop Adjustment Layers

Backlit portraits are one of those shots that look gorgeous straight out of camera but almost always need a push in post to reach their potential. The light is already doing something interesting, and your job as an editor is to lean into that warmth rather than fight it. I’ve spent a lot of time chasing that golden-hour feel inside Lightroom, but sometimes a Photoshop-based approach gives you more control over where the warmth actually lands in the frame.